Adapting Philosophy: Jean Baudrillard and *the Matrix Trilogy* by Catherine Cons

Description: Adapting Philosophy by Catherine Constable Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillards Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillards Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple beginners guide to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analyses of the films, tracing the ways in which the imagery that dominates Baudrillards writing is adapted and transformed by the trilogys complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The books multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analyses of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work. -- . Back Cover Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillard Flap Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillards Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple beginners guide to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analyses of the films, tracing the ways in which the imagery that dominates Baudrillards writing is adapted and transformed by the trilogys complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The books multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analyses of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work. Author Biography Catherine Constable is Associate Professor in Film Studies at the University of Warwick Table of Contents AcknowledgementsIntroduction 1. Good example, bad philosophy2. Adapting philosophy/philosophy as adaptation3. Mirrors and screens4. Codes5. Beyond nihilismConclusionBibliographyIndex Promotional Offers a critical reappraisal of a prolific and popular genre, as well as bringing new material into the broader field of Television Studies. Long Description Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillards Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple beginners guide to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analyses of the films, tracing the ways in which the imagery that dominates Baudrillards writing is adapted and transformed by the trilogys complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The books multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analyses of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work. Description for Reader Adapting Philosophy looks at the ways in which The Matrix Trilogy adapts Jean Baudrillards Simulacra and Simulation, and in doing so creates its own distinctive philosophical position. Where previous work in the field has presented the trilogy as a simple beginners guide to philosophy, this study offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text. This focus on the figurative enables a new-found appreciation of the liveliness of philosophical writing and the multiple philosophical dimensions of Hollywood films. The book opens with a critical overview of existing philosophical writing on The Matrix Trilogy and goes on to draw on adaptation theory and feminist philosophy in order to create a new methodology for interlinking philosophical and filmic texts. Three chapters are devoted to detailed textual analyses of the films, tracing the ways in which the imagery that dominates Baudrillards writing is adapted and transformed by the trilogys complex visuals and soundtrack. The conclusion situates the methodology developed throughout the book in relation to other approaches currently emerging in the new field of Film-Philosophy. The books multi-disciplinary approach encompasses Philosophy, Film Studies and Adaptation Theory and will be of interest to undergraduates and postgraduates studying these subjects. It also forms part of the developing interdisciplinary field of Film-Philosophy. The detailed textual analyses of The Matrix Trilogy will also be of interest to anyone wishing to deepen their understanding of the multi-faceted nature of this seminal work. Description for Sales People Examines the whole of the trilogy rather than focusing on the first film.. Offers rigorous textual analyses of the films that address the intricacies of the visual details, rather then just concentrating on the dialogue.. Addresses one philosophical text in detail, Jean Baudrillards *Simulacra and simulation*, which is a key text for the trilogy. Importantly, it looks at the ways in which the films take up Baudrillards work and change it, creating their own philosophical position.. Uses adaptation theory and feminist philosophy to create a new methodology for inter-relating philosophical and filmic texts that enables the articulation of the films own philosophical position.. Differs from other work inter-relating philosophy and film in arguing that it is imagery and the figurative that constitute the key link between the two different types of texts. Details ISBN0719075327 Author Catherine Constable Publisher Manchester University Press Year 2009 ISBN-10 0719075327 ISBN-13 9780719075322 Format Paperback Publication Date 2009-05-01 Imprint Manchester University Press Place of Publication Manchester Country of Publication United Kingdom DEWEY 791.4375 Affiliation Senior Lecturer, Film Studies, Sheffield Hallam University Short Title ADAPTING PHILOSOPHY Language English Media Book Pages 192 Subtitle Jean Baudrillard and *the Matrix Trilogy* UK Release Date 2009-05-01 NZ Release Date 2009-05-01 Audience General AU Release Date 2009-04-30 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:147262290;

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