David Oistrakh Mozart Violin Concertos 1-5 3 SACD Hybrid TOWER RECORDS

Description: Description David Oistrakh Mozart Violin Concertos 1-5 3 SACD Hybrid TOWER RECORDSProduct introductionMozart to the old EMI by Oistrakh & Berlin Philharmoniker in his later years is finally SACD!Reproduce one of the ultimate Mozart performances with higher sound quality than before.Newly reprinted from the home country analog master tape.With new commentary. World's first SACD!These complete works of Mozart's violin concertos recorded with the Berlin Philharmoniker from 1970 to 1972 are too famous as one complete form of Mozart's performance by Oistrakh. The recordings drawn during the mature period of his later years record the ultimate appearance of modern musical instruments and modern playing methods. The condition of the master tape is also good, and in this reprint, the Oistrakh-like tone with a core has been revived to a lustrous level. The SACD layer and the CD layer are mastered separately using a master digitized at 192kHz / 24bit from the original analog master tape of the home country. With new commentary. It is a permanent storage board.From November 1970 to March 1972, Mozart's "Works for Violin and Orchestra" was recorded by the great violinist David Oistrakh (1908-1974) from Ukraine, playing the prestigious Berlin Philharmonic Orchestra. Was assembled into a 3-disc set. During this period, Oistruff focused on Mozart and also recorded a collection of violin sonatas (SACD as "Mozart: Collection of Violin Sonatas" (TWSA-1037)). The duo partner was Paul Badura-Skoda (1927-2019), who was also a musicologist. Oistrakh, who was fluent in German, read Badura-Skoda's book on Mozart and took a look at his interpretation of Mozart. He recalls that he chose him as a "real" partner who could interact and play with him.When he played Mozart's concerto, he was chosen as the "real" partner by the Berlin Philharmoniker. The Berliner Philharmoniker is probably the best orchestra in the world, and Oistrakh was intimate with music director Karajan.The violin concerto No. 1 is from the orchestra's presentation section, where the music is polite, well-sung, and rhythmic, with the brilliant, rich, and pyramidal sound of the small Berlin Philharmoniker. There is a feeling that it begins to flow vigorously. Oistrakh's violin also has a clear pronunciation in every detail, and the tone is really wide from the brilliant high range to the deep and powerful low range (especially the meaning of the G line!), The flow of music is not stagnant, and the orchestra It is ideal because the combination with and also serves as a conductor. The difference between the 2nd and 5th styles, which are strongly influenced by the French Galant style, as opposed to the Italian style No. 1, is evident in the performance of each final movement. There is a feeling that the final movement of No. 1 is in a fast tone and the performance is as brilliant as possible, but the final movements of Nos. 2 to 5 are just a French hobby Rondo, especially the 2nd, 4th, which starts with the violin. The gentle tempo and facial expression of No. 5 makes you feel like listening to a song that is completely different from the recent era proof performances.Oistrakh's uniqueness is also reflected in the selection of cadenzas. No. 1 uses the work of Mostras, a professor of the Moscow Conservatory, and Nos. 4 and 5 use the work of two 19th-century German masters, David and Joachim, showing an emphasis on the violin playing tradition. No. 2, No. 3, and Adagio K.261 are self-made and show the original way of cadenza.In his Sinfonia Concertante, he turns to the viola, sets his son Igor on the violin, and listens to a beautiful father-son co-star. Their performances are not only powerful and lively, but also calm and elegant, and the softness of the Berliner Philharmoniker's strings and the feel of a floating tube make it sound like heavenly music.It is not just a beautiful reproduction of Mozart's masterpiece, but the ultimate Mozart performance with modern instruments and modern playing styles as of 1972, and a neoclassical view of music. It has irreplaceable value in knowing the Mozart performances before that and the diversified Mozart performances after that. They were captured with the best sound quality by analog and stereo recording in the final stage, and revived here by the latest digital technology half a century later.This time, we are doing the latest mastering using a flat master digitized at 192kHz / 24bit from the original 2Ch analog master tape in our home country. The master was generally in good balance and in good condition with little secular variation. Therefore, I emphasized the original balance as much as possible and tried to master from a musical point of view. As a result, you can enjoy the best performance without stress by improving the visibility of the distance and depth of the instrument, including the perspective of the sound field, and further improving the localization. In addition, a new commentary has been posted in the manual.In this series, the SACD layer aims for a high resolution and rich sound field with a long high range and soft nuances, and the CD layer aims for a realistic tone that is extruded with a cohesive and solid sound. The potential of the CD itself is high, and you can enjoy it as a SACD hybrid disc where you can enjoy the goodness of both.Work information MainPerformer: David Oistrakh (violin, viola, conductor)Violin: Igor OistrakhOrchestra: Berlin Philharmoniker Orchestra OthersComposer: Wolfgang Amadeus Mozart Contents Number of configurations | 3 sheets Track ListingWolfgang Amadeus Mozart:1. Violin Concerto No. 1 in B flat major, K.207 (Cadenza: K. Mostras)2. Violin Concerto No. 2 in D major, K.211 (Cadenza: D. Oistrakh)3. Violin Concerto No. 3 in G major, K.216 (Cadenza: D. Oistrakh) 4. Violin Concerto No. 4 in D major, K.218 (Cadenza: F. David)5. Violin Concerto No. 5 in A major, K.219 "Turkish" (Cadenza: J. Joachim) 6. Concerto Symphony in E-flat major K.364 (320d) (1st and 2nd movements are cadenzas by Mozart himself)7. Concerto in C major for two violins K.190 (186e)8. Adagio in E major K.2619. Rondo in B flat major K.269 (261a)10. Rondo in C major K.373 (Cadenza: D. Oistrakh) PerformanceDavid Oistrakh (Violin (1-5,7-9), Viola (6) & Conductor)Igor Oistrakh (Violin) (6)Berlin Philharmoniker Orchestra recording(Disc 1) III, 1971 (1), 14, IX ,, 1971 (2), 22 & 23, III, 1971 (3)(Disc 2) XI, 1970, (Disc 3) III, 1972 (6,7), IX, 1971 (8-10)Zehelendorfer Gemeindehaus, Berlin Master labelWarner Classics (formerly EMI sound source) Shipping We will select and ship from FedEx, DHL, Japan Post. Additional shipping charges may be incurred if otherwise specified. Please be sure to contact us before ordering. We will aim to dispatch all orders within 5 days of confirmed payment. Payment We accept only Paypal. About Us If you have any questions, please ask me before purchasing. Terms of Sale Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer’s responsibility. Please check with your country’s customs office to determine what these additional costs will be prior to buying. 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Price: 116 USD

Location: Ibaraki

End Time: 2024-12-17T07:40:00.000Z

Shipping Cost: 20 USD