Theatre Institutions in Crisis: European Perspectives by Christopher Balme Paper

Description: Theatre Institutions in Crisis by Christopher Balme, Tony Fisher Theatre Institutions in Crisis examines how theatre in Europe is beset by a crisis on an institutional level and that there is a pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organized, delivered and received. FORMAT Paperback CONDITION Brand New Publisher Description Theatre Institutions in Crisisexamines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received.Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies.This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks.Chapter 9 of this book is freely available as a downloadable Open Access PDF at under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. Author Biography Christopher Balme is professor of theatre and performance studies at LMU Munich, Germany.Tony Fisher is a reader in theatre and philosophy and Associate Director of Research at Royal Central School of Speech and Drama, UK. Table of Contents PrefaceAcknowledgementsIntroduction Publics Chapter 1 Struggles of singularised communities in German theatre: The culture war around the Berlin VolksbÜhne Peter Boenisch (University of Aarhus) Chapter 2 Public (Re) Assembly and Crisis Dramaturgy Shannon Jackson (UC Berkley) Chapter 3 Re-enacting the Crisis of Democracy in Milo Raus General Assembly Ramona Mosse (FU Berlin) Chapter 4 Fugitive Transformations of Performance Practice in Landscapes of Crisis Gigi Argyropoulou (Mavili collective Athens) Funding and labourChapter 5 Justifying Theatre and its Funding after 2008 Joshua Edelman (Manchester Met) Chapter 6 Dutch Theatre Politics in Crisis? Quirijn Lennert van den Hoogen (Groningen University) Chapter 7 Crisis in Funding Policies. The Paradox of National Theatres and the Dilemma of Evaluating Theatre in Italy Livia Cavaglieri (University of Genova) Chapter 8 The Theatrical Employment System in Crisis? How Working Conditions Are Changing in Theatre and Elsewhere Axel Haunschild (University of Hannover) Post-Socialism Chapter 9 Crisis? Czech Theatre after 1989 Radka Kunderová Chapter 10 Artistic Freedom — State Control — Democracy: Oliver Frljis Theatre Work in Croatia and Poland as an Indicator of Repressive Cultural Policy Danijela Weber-Kapusta (LMU Munich) Chapter 11 Creating New Theatres during the Economic Crisis: The Case of Estonia Hedi-Lis Toome and Anneli Saro (University of Tartu) Chapter 12 Cultural Struggles in Slovenian Institutional and Independent Theatre Maja Šorli and Zala Dobovšek (University of Ljubljana) Independent theatre sceneChapter 13 Promises and Side Effects: The Frankfurt Theatre Crisis of the 1990s — A Case StudyLorenz Aggermann (University of Giessen)Chapter 14 Potential, Need, Risk. On Control and Subjectification in Contemporary Production NetworksGeorg Döcker (University of Giessen)Chapter 15 Theatre Crisis, Local Farce, or Institutional Change? The Controversy Surrounding the Munich Kammerspiele 2018 from an Institutional Logics PerspectiveBianca Michaels (LMU Munich)Index Long Description Theatre Institutions in Crisis examines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received. Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies. This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks. Details ISBN0367676664 Pages 224 Publisher Taylor & Francis Ltd Year 2022 ISBN-10 0367676664 ISBN-13 9780367676667 Publication Date 2022-08-01 UK Release Date 2022-08-01 Format Paperback Imprint Routledge Place of Publication London Country of Publication United Kingdom AU Release Date 2022-08-01 NZ Release Date 2022-08-01 Illustrations 4 Tables, black and white; 5 Line drawings, black and white; 6 Halftones, black and white; 11 Illustrations, black and white Author Tony Fisher Subtitle European Perspectives Edited by Tony Fisher Alternative 9780367266103 DEWEY 792.094 Audience General We've got this At The Nile, if you're looking for it, we've got it. 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